Study Music 31 July

On a recommendation from the Shadow Sister*, I looked up Vasily Kalinnikov on Spotify. The name rang a vague bell which I managed to trace in my mind to a free sample track I received a few years back from Naxos. I recalled it was from a symphony so I wanted to find it. As it turns out, most of the albums of Kalinnikov, on Spotify at least, are of his first two symphonies. Unsure which to choose I went with the most recent, a 2011 recording by the Malaysian Philharmonic Orchestra under the baton of Kees Bakels.

From the opening few bars I knew I was in for something special. The opening movement of Symphony No 1 is amazing, drama-galore in the best late Romantic/Russian style. It sweeps you up and leaves you wanting more, then you're given an andante second movement which does not disappoint, swoon-worthy without being overly slow or saccharine. The third movement regains the momentum, but ends awkwardly, it was the only downside to the whole piece. I'll have to listen to some of the other versions to see if it's a tricky bit in the score or just a weird bit in the score. Either way, the moment of "what was that?" is very brief as the fourth movement launches you back into the world of the first, giving the symphony a lovely circular structure. I already have a lot of favourite symphonies and now I have another one.

The second symphony is really good too but didn't catch me up the way the first one did. I'm sure Kalinnikov wrote more, I shall have to find it. Thank you Shadow Sister :)


* So named because she's my sister and she represents shadows the way I do the Giant Squid, which I suppose makes me the Squid Brother but that's not so catchy - the Krakenite Sibling perhaps, yes that has a ring to it.

Study Music 24 July

Speaking yesterday of people who deserve more recognition, today I decided to listen to Louise Farrenc who is becoming one of my firm favourite composers. She was a French pianist and composer in the 19th century and had a good reputation in her lifetime, mostly for piano works. I love her larger works though. Her symphonies are grand and so is her chamber music. Today I went with her Piano Quintets No 1 and 2 performed by Quintetto Bottesini. Her mastery and love of the piano is clear, it dances around and drives the rest of the instruments along beautifully. The others are not forgotten however and all have their moments to shine.

The Romantic period is probably my favourite, and this music captures its very essence, on the brighter side. It is optimistic and dramatic, bubbly without being airy, strong but not demanding. Farrenc's music is full of energy and I encourage everyone to listen to it more often.

Study Music 23 July

Deciding somewhat at random, I started this week's study music with a set of Orchestral Suites by J.F. Fasch, a German composer from the Baroque period, performed by Capella Savaria under the baton of Pal Nemeth. It's a 1999 recording you can find on Spotify. I can't fault the music, it was pleasant and well played, but it didn't really stand out either. One Air was delightful and there was a fun Gavotte but generally I found it a good album of background music - ideal for studying really.

Following that I had a look at the "Fans also like" page on Fasch's Spotify and selected Alessandro Marcello who I know of because of his famous Oboe Concerto in D minor. The adagio from that is one of the constants on classical music compilations, you may not realise you know it, but you probably do. So I wanted to hear something else of his. Being Spotify, there were limited options, seriously, don't ever think it has everything, but there were several recordings of his 'La Cetra' concertos so I decided to listen to one of them. They're a set of six violin concertos so I chose the recording that added another violin concerto on the end instead of the famous oboe one.

It's an older recording, 1995, with Simon Standage as soloist and director of the Collegium Musicum 90. Again, there was little to distinguish any of the concertos from each other - fair enough in a set - however, the music overall was lively and sparkling. I think Marcello deserves a bit more recognition, but then, so do a lot of people.

So today was a Baroque heading to Classical kind of day, no major stand-outs but plenty of good music.